Es ist knapp aber es wird schon gehen wenn du Arbeitsspeicher auf 16GB aufstockst !!! Processor ist gerade "im grünen" mit seinen Benchmark von 3.529 (CPU Mark) wo der etwa im Niveau von i5-4300U liegt (3.755 CPU Mark) und der ist z.B. im letzten Surface Pro 2 Serie und Surface Pro 3 mit Intel i5 CPU eingebaut. Auch im größeren Vivo Modellen ist ein ähnliches CPU (i5-4210U) eingebaut und da könnte man mit Trans Audio system und TA Sound Engine ungestört arbeiten, natürlich mit 16GB Arbeitsspeicher. Ich kenne nicht gerade dein Vivo Model und weiß nicht ob interne Sound Karte genau so schnell ist (ASIO) wie im Modellen mit i5-4210U. Oder, hast du ein externes Audio Interface ? Wenn, dann welche ist das, und wenn nicht, hast du getestet mit welchen niedrigsten Sample Buffer ohne Störungen vArranger2 arbeiten kann. Vivo ist ein erstklassiges klein Computer natürlich mit ASUS MoBo, aber welche Sound Karte in welchen Model steckt das weiß ich leider nicht. Da must du mir ein wenig helfen. Was unverändert bleibt sind 16GB Arbeitsspeicher, das muss einfach sein.
AAE - Agaton Audio Engineering agaton@t-online.de
- Trans Audio Workstations - Trans Audio Sound Modules - Agaton Sample Librarys - Agaton Style Packs - Music Devices Powering - Technical Solutions
Hi, ich nutze den VIVO PC VM60 und eine externe Soundkarte Typ M-AUDIO M-TRACK plus. Damit läuft die Theaterorgel Miditzer sowie GRANDORGUE problemlos. Die Onboard Soundkarte war unmöglich! Mit VA2 habe ich noch nicht den Samplebuffer geprüft. Werde ich morgen mal machen.
You can post the samples faster than I can evaluate them with my head phones I do not really have much knowledge of country music, so I am not the best person to comment on it.
Country beat. The sample sounds clear enough, especially the guitars, the drums sounds a little bit synthetic, but I think this was the aim. Since I am not a drummer I do not know the name of the different sounds I hear. The details are so precies that I sometimes hear the drummer trigger the drums several times in a very short while ? oposing to the normal singular beat. The detail I believe sounds good enough for a live gig, the only thing that has to be added is a live singer. 8)
Country pop. Again I am not an expert, but I can imagine the folks gathering together in a hall dancing their country group dance with their beat. The violon sounds very real, but a little dramatic and classical not the expected fiddler, but very nice any way. The guitar sounds just like how I (a novice in country music) would expect a country guitar to sound like. I really enjoyed this sample.
Bluesgrass. Sounds good to me. I think it as a banjo playing. Very detailed, non fussy sound, and bare in mind that I am not listing to this with professional grade gear. Just a second hand 100? EMU 1616m a 15+ yeard old JVC amplifyer and some old studio pioneer headphones. I think the headphones at times even have a little trouble handling the superb details of the sounds, so after I have bought the TransAudioCustum SoundEngine for vArranger I may get a new pair (after checking if it is the pre-headphone amplifyer of my amplifyer). I have never experienced this inability to handle the details perfectly except in these demo's! On most recordings my speakers are more than good enough, but with these samples my speakers just don't give enough justice to the rich details, allthough even untrained ears can hear the superior quality difference on the speakers. But listing to the samples through headphones is just a pure joy.
County Dixie. This styles comes closer to the jazz and blues that I love. The level of detail of this recording again outclasses my headphones. It sounds very punchy and refined, and (a)live. I can even sometimes hear the hand of the guitarist move along on his string as he goes from tone to tone. The more I even listen to these demos, the more I believe I am going to have very much fun when the soundengine actually is finished and tweeked for the samples of all the great keyboard companies.
Country fox. Not really my style, sounds real enough to me.
Western. Beautiful sample, I wish I had a good voice to sing along with this!
Kramer. It is not hard to imagine yourself in a country bar when you close your eyes and listen to this sample. Good stuff!!!
I am very glad you could test the the EMU 1616m with your soundEngine and that it worked fine. I appreciate the level of concern you display to ensure that nothing goes wrong for the customer. I would appreciate it if you would email me after you have completely finished the tweeking of all the sounds, so that the midi-files of all the great keyboard companies can all be played perfectly ? for some reason this website does not consistantly alert me when I new message is posted. In the mean while thank you for the samples and the great effort you have put into this product! 8)
Thanx for your very detailed sound Analysis of Trans Audio Sound Engine. It is always helpfull for one developer to hear all aspects from Customers and what they think about his product. You make that very, very good and with realy arguments. All this details what you heard in Styles are not random. It was intentionaly and this is particularly result of mixing. All instruments become specific position in a Stereo Room, sounds with similar frequencies are on different sides of Stereo, than effects like ambient for Drums make it very, very realy and human, atc... etc... Naturaly, primary is the sounds high quality !!! How you can see, many factors are in play to become so one quality like on Trans Audio instrument. With one word, this is studio sound on the stage. Many, many days and nights cost me this quality !!! Sampling and sound editing are very dificult and very complexe processes, when high quality is needed, and Trans Audio is top quality. Nothing what you heard is random, all of that is made with High-End precision to be so randomly and naturaly. All of artefacte sounds (effect sounds of real instruments) are also made with high precision.
The TA Sound Engine is finished. It was finished since five, six jears, but in one other sample format (Emulator X3 Sampler from E-MU), the best sampler all times !!! For vArranger use, I must reprogramed it in SF2 sample format. It is not like on Emulator X3, but enough good. I hope, Dan will make his part of job very soon that we can distribute TA Sound Engine. I made two Updates in a meantime, we have over 100 Drum Kits in TA Sound Engine, and some of them 100% compatible with Yamahas Drum Kits, than I made all of Yamahas Mega Voices in a best quality.
AAE - Agaton Audio Engineering agaton@t-online.de
- Trans Audio Workstations - Trans Audio Sound Modules - Agaton Sample Librarys - Agaton Style Packs - Music Devices Powering - Technical Solutions
Let us hope that vArranger2 will upgrade to this Emulator X3 Sampler format in the future.... 8) Maybe after Dan has heard the results of the final product he will be motivated to spend the extra time to do this. Right now I believe many people on the vArranger2 forum are waiting for the release of your amazing TransAudio Custum SoundEngine for vArranger2 that will be able to play the MIDI files of all current major keyboard manufacturers.
For now, do you have a) some Christmas and b)Trans Audio "Dallapa Organtone 1976" D & B midi-file themes/ samples that can showcase the capabilities of your TransAudio Custum Soundengine for vArranger2? This will help us ease our eagerness in the waiting process, market your product even more and bring us in the mood leading to the festivities later this year
Jedan Song Style sa Trans Audio Nano instrumenta. Na Introima su forspili, na Ending partovima Coda ili sam kraj pjesme, a Varijacije sadrze normalane ritmove iz pjesme. Inace, Style nije radio Agaton vec je dosao na malu preradu za jednog clana foruma. Ovaj Style moze posluziti kao primjer kako Trans Audio sa svojim Sound Engineom reprodukuje i Song Styleove koji su radjeni na, Boga pitaj kojem, Yamahinom aranzeru. Ispod njega je Song Style koji je radio Agaton, gdje se u melodijskim Partovima cak ne mora zadavati Dur ili mol, dovoljno je pritisnuti dirku na klavijaturi koja odredjuje intonaciju, Song Style ce svirati ono sto je potrebno.
Agaton Song Style radjen prije par godina za neki od Yamahinih tadasnjih top aranzera, odsviran ovdje na Trans Audio Nano instrumentu, koji je doduse, nesto specijalnije opremljen, te radi toga raspolaze izvanrednim sound kvalitetom, sa ogromnom dinamikom i potpuno zanemarljivim vrijednostima za THD, THD-N i Noice. Sve sto se cuje je u samom Styleu, dakle svi forspili, strofe, refreni i improvicazije (smjestene u Introe i Endinge) ali su tu i cetiri Varijacije sa FillIn-ovima, koji nisu melodijski i sa kojima se svira sasvim normalno kao i sa obicnim Styleovima. Svi soundi poticu iz Trans Audio Boot Sound Enginea, dakle bez ijednog upotrebljenog VST Instrumenta, sto jos jednom potvrdjuje veoma visoki kvalitet sounda i u ovom malom Sound Engineu Trans Audia (oko 2.5GB, sto je opet 5 puta vise no kod ROM Contenta Top hardware aranzera). Moze se naslutiti kako bi se cuo donji Song Style da je upotrebljen i pokoji sound iz velikog Trans Audio Sound Enginea (preko 150GB samplova). Inace, snimanje je obavljeno direktno u samom Trans Audiu u realnom vremenu.
Zitat von trans audioJedna zestoka "Napoleta" sa svim artefakte soundima instrumenata, "nabijena" samo sto ne pukne !!! Veoma upecatljiv Style koji moze u sustini, da se konfigurira za dosta balkanskih pjesama.
Ohooo ovo je remek djelo. U sustini ovaj ritam odsviran tocno moze se odmah upotrijebiti u samoj post produkciji. Interesantno jako interesantno. Samo naprijed !!
-Trans Audio Studio Maxima -RME Interface -Studio One 3 PRO -M-AUDIO CODE 49 -YAMAHA 9000 PRO -GUERRINI PRESIDENT SUPERIOR 2 ELEGANT ORO
Toliko davno sam postavio taj Style, da sam zaboravio i da postoji. Istina, kako sam tada i napisao, zestok ritam medjutim, on sada zvuci bar za klasu do dvije kvalitetnije, sa obzirom da su se u medjuvremenu izdesavale promjene i razna poboljsanja TA Sound Enginea.
trans audio forum
Print view
Thu Nov 19, 2015 3:39 pm
reply
I do not really have much knowledge of country music, so I am not the best person to comment on it. 
8) 
